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Italian sonnet

Italian sonnet

8.4
A 14-line poem with eight lines that present a problem and six lines that respond using set rhyme patterns
  • noun
  • /ɪˈtæljən ˈsɒnɪt/
  • Literature
translation icon : soneto italiano
  • Writing an Italian sonnet often challenges poets to master complex rhyme patterns.

Examples

  • Many poets prefer the Italian sonnet for its structured format and lyrical beauty.

  • However, like the Italian sonnet, it does demand rather a lot of syllabic repetitions for a rhyme-poor language like English.

    Academic text (2003)
  • In eight instances, the necessary so clause, the topic half of the simile, is deferred to the ninth line or sestet of an Italian sonnet.

    Academic text (2005)
  • An Italian sonnet consists of an octave followed by a sestet with specific rhyme schemes.

Synonyms

sonnet
vsItalian sonnet
  • Literature
29 6.2

A short poem of 14 lines with a set rhyme pattern often about love

is a specific fourteen-line form defined by particular octave and sestet schemes
Petrarchan sonnet
vsItalian sonnet
  • Literature
9.9

A 14-line poem with eight lines in one rhyme pattern and six in another

is identical in structure and rhyme patterns to that description
Petrarchan
vsItalian sonnet
  • Literature
9.9

A sonnet with eight lines in the first part and six lines in the second, used by Petrarch

is more specific about exact rhyme patterns within those parts

Surface Forms

Morphology

Italian + sonnet

The phrase transparently combines 'Italian' (related to Italy/style) with 'sonnet' (a 14-line poem), so a B1 learner who knows both words will understand it refers to a sonnet of Italian/Italianate type. However, the specific technical definition (octave/sestet rhyme schemes) is specialized poetic knowledge not predictable from the constituents, so the term is only partially transparent.

Etymology

Italian sonnet comes from Italian poets like Petrarch, who made a clear two-part shape: an eight-line block called the octave and a six-line block called the sestet. The octave often shows a 'problem' and the sestet gives an 'answer', so the form is remembered as a sonnet that turns from question to reply.